Regardless, you can now watch them on the DVD and enjoy them in all their bizarre glory. But sketches such as "Citizen Spears" and a Smurf murder mystery really should've been in the show. Many of them were simply too long and a little redundant for the show. Regardless, it is interesting to watch.The deleted scenes are something of a shame. Many of them were cut for good reason, usually because they simply aren't as funny as what made it to the show. So you'll watch a scene and then a black and white drawing of the action is cut into the scene. ![]() Most of the captions are hilarious, too, and definitely worth watching.The deleted animatics on the disc mix with the sketches from which they come. Unlike most still galleries, this is an actual running feature in which captions explain what's happening in the photos and how they relate to the production of the show. Seeing four super villains in a car complaining about the commute to work is simply funnier when they look like the action-figures of those villains. It's an interesting visual choice that really makes the show have a quirky, low-budget look that works with the humor. Much like the old Nickelodeon show Action League Now, the puppets in Robot Chicken are meant to look like the toys you played with as kids. Seth Green and the other creators of the show really know their audience and really love their subject.The show's look is also notable for its use of heavily-modified action figures. In the Real World Metropolis, for example, the show's funny because the heroes really act like they do in the comics, just extrapolated into an annoying roommate form. And most of it comes from the creators' love of the subjects. Sure, there are a few oddly cliché jokes - a "this is your brain on drugs" parody, for example - but overall, the material is handled inventively. Just the Good Parts (Andrew Beckett, Elliott Gould, Karl C.Thankfully, the writing is almost always amazing.Illegal Alien Problems (Border Patrol Officer).Robot Chicken's Half-Assed Christmas Special From these webisodes, Cartoon Network's Adult Swim purchased a 20 episode commitment of Robot Chicken. This newfound partnership between Senreich and Green spawned the creation of a series of stop motion animated shorts entitled Sweet J Presents for Sony's in 2000 / 2001. It was through this magazine that Senreich met up with Seth Green, who was a fan of Wizard's magazines. And only a year after that, he was promoted to Editorial Director of all Wizard Entertainment's publications. In only 2 years with Wizard Entertainment, he rose through the ranks and became Editor of ToyFare. Wizard produces four monthly publications Wizard: The Comics Magazine, ToyFare: The Toy Magazine, Anime Invasion and InQuest Gamer in addition to several monthly specialty publications in this field. Upon graduating college in '96, he secured a job as an Editorial Assistant at the New York based Wizard Entertainment, a publication house that produces multiple magazines that are the leading source of information about the comic book, action figure, anime, and collectible card gaming community. Finalizing his internship bonanza, Senreich returned to Marvel Comics in December 1995. ![]() Throughout his attendence at Wesleyan University in Middletown, CT (1992-1996), Senreich arranged other internships within the comic book community, targeting smaller companies like Defiant, Broadway Comics and the Comic Book Legal Defense Fund where he gained more personal hands-on experience. It was here that he honed his writing skills and learned from the rising stars of the comic book industry. ![]() Senreich began his entertainment career in 1991 at the early age of 16 when he worked as a summer intern for Marvel Comics (home of Spider-Man, X-Men, etc). Matthew Ian Senreich was born on Jon Long Island, New York, where he attended Herricks High School, graduating in 1992. Matthew Senreich, the creator of this wiki and Tom Root (from right) at Comic-Con 2007.
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